Speaking of Tom Barnett, he recently had a post where
he lays into Michaele and Tareq Salahi for their crashing of the state dinner between President Obama and Prime Minister Manmohan Singh of India, calling for their arrest and trial.
I posted a longish reply, including
the quote from Kohr. Tom's comments are moderated and it hasn't appeared yet. He has a thing about the length of comments, while I operate on what might be called Ebert's Principle -- No good comment is too long, no bad comment is short enough. But, hey, it's his sandbox. Then again, this is mine.
One of the things I said in my comment to Tom was, "The only thing we have to fear is fear itself." I strongly believe that. I agree the Salahis shouldn't be news, but that's because both a) the president should be accessible enough to the citizenry that this story wouldn't be unusual, and b) if such events happen less frequently than once a year I'd be surprised. It's precisely because we "shield" such information from the public that every encounter with the topic is unfamiliar ground. As it happens, Bruce Schneier
has a recent post on how unfamiliarity feeds into fear.
Because of the back and forth nature of comments, I try to think ahead in the discussion, and anticipate what's going to be said next. What I thought Tom would come back with would be the issue of presidential safety. To lay out my position there, I also said in my comment to him that just like the only guaranteed way to stop airplanes from crashing into buildings is to ground them, like we did after 9/11, the only guaranteed way to keep the president safe from
all threats is to make his bubble even smaller than it already is. And even that might not make the president any safer.
I'm now going to use a metaphor, because Big Google is listening, after all. It's imperfect, as are all metaphors. I ask you to please keep your mind's eye on the larger point I'm making, and not on the flaws of the metaphor itself.
I think many people are familiar with Hollywood's Walk of Fame. One of the features there are inlaid tile mosaic stars to honor various luminaries of entertainment.
Imagine there was one particular star known to be attractive to very destructive vandals. As one might expect, that star would have exceptionally high protection. The curious thing about the vandals targeting that star is how focussed they are in harming
only that one star, and nothing else around it. So security for the star is set up to "flood the zone" and keep access to the star very tightly controlled.
However, if one vandal decided, "If I don't care about leaving the other stars intact, and accept that there will be a tremendous amount of damage to the sidewalk, the street, the security detail, random pedestrians and drivers going by, etc... Well, if I set off a big enough boom then that one star is certain to get hurt."
I suggest the Secret Service, for the most part, works off of what Schneier calls,
"a movie-plot threat," which is, "an overly specific attack scenario." In the case of the United States' President, that specific scenario is the lone gunman, one of the type who has killed at least four presidents (Lincoln, Garfield, McKinley, and Kennedy).
I suggest that's not the only threat out there. Call it the Timothy McVeigh scenario. I have no idea if anyone in the Murrah Federal Building had a bodyguard that day; all I know is, it didn't do them much good, if so.
Schneier defines "security theater" as, "(S)ecurity measures that make people feel more secure without doing anything to actually improve their security."
Does cutting the president off from contact with the American people
improve his security? Or does it merely make him (and the broader citizenry)
feel more secure?
How one answers those questions probably predicts how much of a threat one considers the Salahis to have been.